Spotlight on ....

Tony Bennett

Tony Bennett's career has enjoyed three distinct phases, each of them very successful. In the early '50s, he scored a series of major hits that made him one of the most popular recording artists of the time. In the early '60s, he mounted a comeback as more of an adult-album seller. And from the mid-'80s on, he achieved renewed popularity with generations of listeners who hadn't been born when he first appeared. This, however, defines Bennett more in terms of marketing than music. He himself probably would say that, in each phase of his career, he has remained largely constant to his goals of singing the best available songs the best way he knows how. Popular taste may have caused his level of recognition to increase or decrease, but he continued to sing popular standards in a warm, husky tenor, varying his timing and phrasing with a jazz fan's sense of spontaneity to bring out the melodies and lyrics of the songs effectively. By the start of the 21st century, Bennett seemed like the last of a breed, but he remained as popular as ever.

Bennett grew up in the Astoria section of the borough of Queens in New York City under the name Anthony Dominick Benedetto. His father, a grocer, died when he was about ten after a lingering illness that had forced his mother to become a seamstress to support the family of five. By then, he was already starting to attract notice as a singer, performing beside Mayor Fiorello La Guardia at the opening of the Triborough Bridge in 1936. By his teens, Bennett had set his sights on becoming a professional singer. After briefly attending the High School of Industrial Arts (now known as the High School of Art and Design), where he gained training as a painter, he dropped out of school at 16 to earn money to help support his family, meanwhile also performing at amateur shows. Upon his 18th birthday in 1944, he was drafted into the army, and he saw combat in Europe during World War II. Mustered out in 1946, he went back to trying to make it in music, and he attended the American Theatre Wing on the GI Bill. By the end of the 1940s, he had acquired a manager and was working regularly around New York. He got a break when Bob Hope saw him performing with Pearl Bailey in Greenwich Village and put him into his stage show, also suggesting a name change to Tony Bennett. In 1950, Columbia Records A&R director Mitch Miller heard his demonstration recording of "Boulevard of Broken Dreams" and signed him to the label.

Bennett's first hit, "Because of You," topped the charts in September 1951, succeeded at number one by his cover of Hank Williams' "Cold, Cold Heart." Following another five chart entries over the next two years, he returned to number one in November 1953 with "Rags to Riches." Its follow-up, "Stranger in Paradise" from the Broadway musical Kismet, was another chart-topper, and in 1954 Bennett also reached the Top Ten with Williams' "There'll Be No Teardrops Tonight" and "Cinnamon Sinner." The rise of rock & roll in the mid-'50s made it more difficult for Bennett to score big hits, but he continued to place singles in the charts regularly through 1960, and even returned to the Top Ten with "In the Middle of an Island" in 1957. Meanwhile, he was developing a nightclub act that leaned more heavily on standards and was exploring album projects that allowed him to indulge his interest in jazz; notably 1957's “The Beat of My Heart”, on which he was accompanied mainly by jazz percussionists, and 1959's In Person With Count Basie and His Orchestra. By the early '60s, although he had faded as a singles artist, he had built a successful career making personal appearances and recording albums of well-known songs in the manner of Frank Sinatra.

In 1962, Bennett introduced "I Left My Heart in San Francisco," a ballad written by two unknown songwriters, George Cory and Douglass Cross, who had pitched it to his pianist, Ralph Sharon. Released as a single by Columbia, the song took time to catch on, and although it peaked only in the Top 20, it remained on one or the other of the national charts for almost nine months. It became Bennett's signature song and pushed his career to a higher level. The “I Left My Heart in San Francisco” album reached the Top Five and went gold, and the single won Bennett Grammy Awards for Record of the Year and Best Solo Vocal Performance, Male. Bennett's next studio album, 1963's “I Wanna Be Around”, also made the Top Five, and its title track was another Top 20 hit, as was Bennett's next single, "The Good Life," also featured on the album. For the next three years, Bennett's albums consistently placed in the Top 100, along with a series of charting singles that included the Top 40 hits "Who Can I Turn To (When Nobody Needs Me)" (from the Broadway musical The Roar of the Greasepaint, the Smell of the Crowd) and "If I Ruled the World" (from the Broadway musical Pickwick).

By the late '60s, Bennett's record sales had cooled off as major-record labels like Columbia turned their attention to the lucrative rock market. Just as Mitch Miller had encouraged Bennett to record novelty songs over his objections in the 1950s, Clive Davis, head of Columbia parent CBS Records, encouraged him to record contemporary pop/rock material. He acquiesced on albums such as “Tony Sings the Great Hits of Today”!, but his sales did not improve. In 1972, he left Columbia for MGM Records, but by the mid-'70s he was without a label affiliation, and he decided to found his own record company, Improv, to record the way he wanted to. He made several albums for Improv, including a duet record with jazz pianist Bill Evans, but the label foundered in 1977.

By the late '70s, however, Bennett did not need hit records to sustain his career, and he worked regularly in concert halls around the world. By the mid-'80s, there was a growing appreciation of traditional pop music, as performers such as Linda Ronstadt recorded albums of standards. In 1986, Bennett re-signed to Columbia Records and released “The Art of Excellence”, his first chart album in 14 years. Now managed by his son Danny, Bennett shrewdly found ways to attract the attention of the MTV generation without changing his basic style of singing songs from the Great American Songbook while wearing a tuxedo. By the early '90s, he was as popular as he had ever been. The albums “Perfectly Frank “(1992, a tribute to Frank Sinatra) and “Steppin' Out” (1993, a tribute to Fred Astaire) went gold and won Bennett back-to-back Grammys for Best Traditional Pop Vocal Performance. But his comeback was sealed by 1994's “MTV Unplugged”, featuring guest stars Elvis Costello and k.d. lang. It went platinum and won the Grammy for Album of the Year. Bennett became a Grammy perennial, also taking home Best Traditional Pop Vocal Performance awards for “Here's to the Ladies” (1995) and “On Holiday”: A Tribute to Billie Holiday (1997). In 2001, he released “Playin' With My Friends”: “Bennett Sings the Blues”, an album of duets. One year later, he expanded the concept to a full disc, recording “A Wonderful World “co-billed with k.d. lang. “The Art of Romance” followed in 2004.

Tony Bennett's other passion is painting and his career as a artist has also flourished. He followed up his childhood interest with serious training, work, and museum visits throughout his life. He sketches or paints every day, even of views out of hotel windows when he is on tour. Painting under his real name of Benedetto, he has exhibited his work in numerous galleries and has been commissioned by the Kentucky Derby and the United Nations. His painting "Homage to Hockney" (for his friend David Hockney) is on permanent display at the highly regarded Butler Institute of American Art in Youngstown, Ohio as is his "Boy on Sailboat, Sydney Bay" at the National Arts Club in Gramercy Park in New York. His paintings have been featured in ARTNews and other magazines. Many of his works were published in the art book Tony Bennett: What My Heart Has Seen in 1996.
Bennett also published The Good Life: The Autobiography of Tony Bennett in 1998.
For his contribution to the recording industry, Tony Bennett has a star on the Hollywood Walk of Fame at 1560 Vine Street.
Bennett was inducted into the Big Band and Jazz Hall of Fame in 1997.
Bennett received a lifetime achievement award from the American Society of Composers, Authors, and Publishers (ASCAP) in 2002.
In 2002 Q magazine named Tony Bennett in their list of the "50 Bands To See Before You Die".
Bennett frequently donates his time to charitable causes, to the extent that he is sometimes nicknamed "Tony Benefit". In April 2002 he joined Michael Jackson, Chris Tucker and former President Bill Clinton in a fundraiser for the Democratic National Committee at New York's Apollo Theater.
Danny Bennett continues to be Tony's manager while Dae Bennett is a recording engineer who has worked on a number of Tony's projects and who has opened Bennett Studios in Englewood, New Jersey. Tony's younger daughter Antonia Bennett is an aspiring jazz singer.

On December 4, 2005, Bennett was the recipient of a Kennedy Center Honor.
Tony Bennett now has a Theatrical Musical Revue of his songs. It is called "I Left My Heart: A Salute to the Music of Tony Bennett" and features some of his best known songs such as "I Left My Heart in San Fransisco", "Because of You", and "Wonderful".

Contributions from William Ruhlmann, All Music Guide and Wikipedia

Top Stars Sign On For Bennett TV Special
June 13, 2006, 10:30 AM ET

TopSome of the biggest names in music have joined Tony Bennett for his 80th birthday celebration album, "Duets -- An American Classic." The 18-track project arrives Sept. 26 via RPM/Columbia and boasts guest appearances by Bono, Dixie Chicks, Billy Joel, Paul McCartney, Sting, Stevie Wonder, James Taylor, Barbra Streisand, Elvis Costello and Elton John, among others.

"I'm just so thrilled that all these contemporary artists want to sing with me," Bennett told Billboard in February from Capitol's Studio A, where he was recording "Rags to Riches" with John. "They're all making me feel so good."

All of the songs were recorded with the guest artist in the same studio with Bennett. The track list includes "The Very Thought of You" with McCartney, "I Wanna Be Around" with Bono, "Smile" with Streisand and "For Once in My Life" with Wonder. Bennett has also revisited his signature song, "I Left My Heart in San Francisco," accompanied only by pianist Bill Charlap.

"Duets" will be available in an exclusive edition at Target featuring additional duets and a behind-the-scenes DVD. Target is also sponsoring a prime-time special, to air in the fall with guests to be announced.

In addition, Legacy Recordings is at work on a limited-edition boxed set of Bennett's work and is planning to reissue several albums that have never been available on CD. Finally, actor/director Clint Eastwood is executive producing a Bennett documentary, due for completion in 2007.

Jonathan Cole, N.Y.



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